ramcharitmanas,

Baal Kaanda

55 - Arrival of the marriage procession and its reception etc., at Janakapura

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Chaupais

bidhubadanīṃ saba saba mṛgalōcani. saba nija tana chabi rati madu mōcani..
 

pahirēṃ barana barana bara cīrā. sakala bibhūṣana sajēṃ sarīrā..
  [1-317-1]

sakala sumaṃgala aṃga banāēom. karahiṃ gāna kalakaṃṭhi lajāēom..
 

kaṃkana kiṃkini nūpura bājahiṃ. cāli bilōki kāma gaja lājahiṃ..
  [1-317-2]

bājahiṃ bājanē bibidha prakārā. nabha aru nagara sumaṃgalacārā..
 

sacī sāradā ramā bhavānī. jē suratiya suci sahaja sayānī..
  [1-317-3]

kapaṭa nāri bara bēṣa banāī. milīṃ sakala ranivāsahiṃ jāī..
 

karahiṃ gāna kala maṃgala bānīṃ. haraṣa bibasa saba kāhu na jānī..
  [1-317-4]


Description

They all had moon-like faces, and eyes like those of a gazelle; by the elegance of their form they robbed Rati (Love's consort) of all self-conceit. Attired in costly garments of various colours they had adorned their person with all kinds of ornaments. They had further beautified all their limbs with auspicious materials, and sang melodies that put to shame even a female cuckoo. Bracelets, small bells round their waistband as well as anklets made a jingling sound as they moved and even Love's elephants blushed for shame to see their gait. All kinds of music played and there were rejoicing both in the heavens and in the city. Saci (Indra's consort), Sarada, Rama, Bhavani and other goddesses, who were pure-hearted and clever by nature, assumed the disguise of lovely women and joined the royal gynaeceum. They sang festal songs in a melodious voice; and as everyone was overcome with joy no one could recognize them.

 
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