ramcharitmanas,

Baal Kaanda

54 - Janaka's despatching of messengers to Ayodhya and departure of the marriage procession from there

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Chaupais

bēni harita manimaya saba kīnhē. sarala saparaba parahiṃ nahiṃ cīnhē..
 

kanaka kalita ahibēla banāī. lakhi nahi parai saparana suhāī..
  [1-287-1]

tēhi kē raci paci baṃdha banāē. bica bica mukatā dāma suhāē..
 

mānika marakata kulisa pirōjā. cīri kōri paci racē sarōjā..
  [1-287-2]

kiē bhṛṃga bahuraṃga bihaṃgā. guṃjahiṃ kūjahiṃ pavana prasaṃgā..
 

sura pratimā khaṃbhana gaḍhaī kāḍhaī. maṃgala drabya liēom saba ṭhāḍhaī..
  [1-287-3]

cauṃkēṃ bhāomti anēka purāīṃ. siṃdhura manimaya sahaja suhāī..
  [1-287-4]


Description

The bamboo sticks were made of emeralds; they were so straight and knotted that they could not be distinguished from real ones. Creepers known by the name of Piper-betle (the leaves of which are chewed in India with areca-nut parings) were artistically fashioned in gold and looked so charming with their leaves that they could not be marked as artificial. These creepers were intertwined into so many cords (for holding the bamboos together) with beautiful strings of pearls inserted here and there. After much cutting, carving and inlaying they made lotuses of rubies, emeralds, diamonds and turquoises. They also fashioned bees and birds of varied plumage, which buzzed and whistled in the restling breeze. On the pillars they sculptured images of gods, all standing with articles of good omen in their hands. Squares were drawn on the floor in various naturally charming devices and filled in with elephant pearls.

 
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