ramcharitmanas,

Baal Kaanda

57 - Return of the marriage procession to Ayodhya and rejoicing in the city

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Chaupais

cāri siṃghāsana sahaja suhāē. janu manōja nija hātha banāē..
 

tinha para kuaomri kuaomra baiṭhārē. sādara pāya punita pakhārē..
  [1-349-1]

dhūpa dīpa naibēda bēda bidhi. pūjē bara dulahini maṃgalanidhi..
 

bārahiṃ bāra āratī karahīṃ. byajana cāru cāmara sira ḍharahīṃ..
  [1-349-2]

bastu anēka nichāvara hōhīṃ. bharīṃ pramōda mātu saba sōhīṃ..
 

pāvā parama tatva janu jōgīṃ. amṛta lahēu janu saṃtata rōgīṃ..
  [1-349-3]

janama raṃka janu pārasa pāvā. aṃdhahi lōcana lābhu suhāvā..
 

mūka badana janu sārada chāī. mānahu samara sūra jaya pāī..
  [1-349-4]


Description

There were four exquisitely beautiful thrones, which had been fashioned by Cupid with his own hands as it were; the queen-mothers seated the brides and the bridegrooms on them and reverently laved their holy feet. They then worshipped the blessed couples in accordance with the Vedic ritual by offering them incense, light and oblations of food. They passed lights around them again and again and waved beautiful fans and chowries over their heads. They scattered offerings of various kinds about them; the mothers were as full of exultation as a Yogi who has realized the highest truth, or as a lifelong patient who has been able to lay his hands on nectar or as a born pauper who has stumbled on a philosopher's stone, or as a blind man who has regained a good vision, or as a dumb fellow, whose tongue has been transfused with the eloquence of Sarada, the goddess of speech, or even as a hero who has triumphed in battle.

 
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